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PLEASE LISTEN TO THE NEWLY UPLOADED SONGS ON SHRI MAHAPERIAVAA BY SHRI UDAYALUR KALYANA RAMAN

Saturday, February 11, 2012

Deivathin Kural Part#2 Continued…..

 

ªð‡èœ Mûò‹ â¡ù?

ï´M«ô Þîó ü£Fò£K¡ ïô¬ù»‹ àˆ«îCˆ¶ ˆMü¡ - Þ¼HøŠð£÷¡ -ú‰Fò£õ‰îù‹ ªêŒò «õ‡´‹; vFgèO¡ «þñˆ¬î àˆ«îCˆ¶‹ ¹¼û«ó ð‡í «õ‡´‹ â¡«ø¡. Þîó ü£Fò£¼‚° - ï£ô£‹ õ˜íˆî£¼‚° - ã¡ Þ‰î ú‹vè£óƒèœ Þ™¬ô â¡ð¬î»‹ º¡«ð ªê£¡«ù¡. ÞŠ«ð£¶ vFgèœ Mûòˆ¬î»‹ èõQ‚è «õ‡´‹. Üõ˜èÀ‚° ã¡ Þ‰î ܸwì£ùƒèÀ‹, ú‹vè£óƒèÀ‹ Þ™ô£ñ™ ¬õˆF¼‚Aø¶? °ö‰¬î Hø‰î¾ì¡ ¹‡ò£ýõ£êù‹, ï£ñèóí‹, Hø° ݇´ G¬øM™ ÜŠî̘ˆF, Ü¡ùŠ Hó£êù‹ ºîô£ù¶è¬÷  ªð‡ °ö‰¬îèÀ‚°‹ ð‡Eù£½‹, ªê÷÷‹ (°´I ¬õˆî™), àðïòù‹, Hø° Hó‹ñêKò Ý„óñˆF™ àœ÷ Móîƒèœ ºîLò ⶾ‹ ªð‡èÀ‚° Þ™¬ô. ÜŠ¹ø‹ è™ò£í‹ â¡Aø Mõ£ý ú‹vè£ó‹ ñ†´‹ ÜõÀ‚°‹ Þ¼‚Aø¶. ÜîŸèŠ¹ø‹ àœ÷ ú‹vè£óƒèœ, ò‚ë‹ ºîô£ùõŸP™ 蘈î£õ£è º‚Aòñ£Œ è£Kò‹ ð‡μõ¶ ¹¼û¡î£¡. Þõœ ðˆFQ vî£ùˆF™ Ãì GŸAø£œ. å÷ð£úùˆF™ ñ£ˆFó‹ ÞõÀ‹ «ý£ñ‹ ð‡μAø£œ. ã¡ Þõ¬÷ ÞŠð® ¬õˆF¼‚Aø¶?

HøŠð º¡«ð ªêŒòŠð´‹ G«ûè‹, ¹‹ú§õù‹, nñ‰î‹ ºîLò¬õÃì ¹¼ûŠ Hó¬ü¬ò àˆ«îCˆ«î ªêŒòŠð´A¡øù. ÜŠð®ò£ù£™ Þ‚è£ô„ Y˜F¼ˆî‚è£ó˜èœ, 'ªð‡ M´î¬ô‚è£ó˜èœ' ªê£™õ¶ «ð£™ U‰¶ ñîˆF™ ªð‡è¬÷ ÞN¾ ð´ˆF Þ¼†®™ ܬ숶ˆî£¡ ¬õˆF¼‚Aøî£? ï£ô£‹ õ˜íˆî£¼‚° ú‹vè£óƒèO™ ðô Þ™ô£î â¡ù è£óí‹ ªê£¡«ù¡? Üõ˜è÷£™ ïì‚è «õ‡®ò ªô÷Aè è£KòƒèÀ‚° Þ¬õ ÜõCòI™¬ô â¡«ø¡. Þ‰î ú‹vè£óƒè÷£™ âŠð®Šð†ì «îý, ñù vFFèœ ãŸð´«ñ£ ܬõ Þ™ô£ñ«ô Üõ˜èœ «ô£è àðè£óñ£è ÝŸøŠðì «õ‡®ò îƒè÷¶ ªî£N™è¬÷„ ªêŒ¶Mì º®»‹. ܈òòù‹, ò‚ë‹ â¡ðõŸP™ ñŸø ü£Fò£¼‹ ªð£¿¬î„ ªêôM†ì£™ Üõ˜è÷£™ ïìˆFò£è «õ‡®ò è£Kòƒèœ â¡ù Ýõ¶? Þîù£™î£¡ Üõ˜èÀ‚° Þ¬õ «õ‡ì£ªñ¡Á ¬õˆî¶? Þ¬õ Þ™ô£ñ«ô, îƒèœ èì¬ñ¬ò„ ªêŒõîù£™ Üõ˜èœ RˆF ªðÁAø£˜èœ. "võè˜ñí£ î‹ ÜŠò˜„ò RˆF‹ M‰îF ñ£ùõ:" â¡Á ðèõ£¡ (W¬îJ™) ªê£™LJ¼‚Aø£˜. Þ‰î Mûòƒè¬÷ º¡«ð ªê£¡«ù¡.

ªð£¶õ£ù êÍèˆF™ ފ𮂠è£Kòƒèœ HKˆF¼Šð¬î º¡Q†«ì ú‹vè£ó Mˆò£ú‹ ãŸð†®¼‚Aø ñ£FKˆî£¡, 嚪õ£¼ i†®½‹ ¹¼û˜èÀ‚°‹ ªð‡èÀ‚°‹ Þ¬ì«ò Mˆò£ú‹ ¬õˆF¼‚Aø¶. å¼ i´ â¡P¼‰î£™ ê¬ñò™, i†¬ì„ ²ˆî‹ ð‡μõ¶, °ö‰¬îè¬÷ õ÷˜Šð¶ â¡PŠð® ðô è£Kòƒèœ Þ¼‚A¡øù. võ£ð£Mèñ£ù (ÞòŸ¬èò£ù) °íƒè÷£™ ªð‡è«÷ ÞõŸÁ‚° ãŸøõ˜è÷£è Þ¼‚A¡øù˜. Þõ˜èÀ‹ ¹¼û˜èO¡ ܸwì£ùƒèO™ ÞøƒAM†ì£™ Þõ˜èœ ªêŒò «õ‡®ò è£Kò‹ â¡ù Ýõ¶? Þõ˜èÀ¬ìò Cˆî²ˆF‚°Š ðF ²²Ï¬û, A¼ý óþ¬í Þ¶è«÷ «ð£¶‹ â¡Â‹ «ð£¶ ¹¼ûQ¡ ܸwì£ùƒè¬÷ Þõ˜èÀ‚°‹ ¬õˆ¶ i†´‚ è£Kòƒè¬÷ ã¡ ªè´‚è «õ‡´‹. Ýè«õ disparity, discrimination (ãŸøˆî£›¾, Mˆò£úŠ 𴈶î™) â¡Á Þ‚è£ôˆ¶„ Y˜ˆF¼ˆî‚è£ó˜èœ ¬õAøªî™ô£‹ õ£vîõˆF™ å¼ˆî˜ ªêŒAø¬î«ò Þ¡ªù£¼ˆî¼‹ Üï£õCòñ£è duplicate ð‡í£ñ™, 心è£è i†´‚ è£Kòº‹, ´‚ è£Kòº‹ ïì‚°‹ð® division of labour (ªî£NŸ ðƒW´) ð‡E‚ ªè£‡ì¶ ; âõ¬ó»‹ ñ†ì‹î†ì Ü™ô. ñ‰Fóƒè¬÷ óV‚è «õ‡®ò êgóƒè¬÷ ÜKò «ò£‚Aò¬î ªðÁ‹ð®ò£èŠ ð‡μõîŸè£è«õ ãŸð†ì ú‹vè£óƒèœ ðô Þ¼‚A¡øù. ÞõŸ¬ø Þ‰î ñ‰Fó óþ¬í â¡ø è£KòI™ô£î ñŸø êgKèÀ‚° â ¬õ‚è«õ‡´‹?

à¬ì‰¶ «ð£Aø ‚÷£v ú£ñ£¡è¬÷Š ð£˜úL™ ÜŠð «õ‡´ñ£ù£™ Ü Cô M«êû ð£¶è£Š¹Š ð‡μAø£˜èœ. ÆR™ ñ‡ªí‡¬íŒ, ªð†«ó£™ ºîLòõŸ¬ø ÜŠ¹‹«ð£¶ Üˆ îQ ü£‚Aó¬îèœ ð‡μAø£˜èœ. ñŸø ú£ñ£¡èÀ‚° ފ𮊠ð‡íM™¬ô â¡ð ÜõŸ¬ø ñ†ì‹ Aø£˜èœ â¡Á Ý°ñ£? Þ‰ï£O™ «ó®«òû¬ù (èFKò般î) àˆ«îCˆ¶, v«ðú§‚° (õ£ùªõO‚°)Š «ð£Aøõ¬ù º¡Â‹ H¡Â‹ äªú£«ô† ªêŒ¶ (HKˆ¶ ¬õˆ¶) ªó£‹ð¾‹ ü£‚Aó¬î ð‡íM™¬ôò£? Þ«î ñ£FK, Þ¬îM쾋 ñ‰FóƒèÀ‚° «ó®«òû¡ à‡´ â¡Á ¹K‰¶ ªè£‡ì£™ Hó£‹ñí¬ùŠHKˆ¶ ú‹vè£óƒè¬÷ ¬õˆîî¡ Gò£ò‹ ¹K»‹. «ô£è «þñ£˜ˆî‹ ñ‰Fóˆ¬î óV‚è «õ‡®ò å¼ Hó£‹ñí ¹¼û êgó‹ à¼õ£è «õ‡´ñ£ù£™ ܶ 蘊ðˆF™ ¬õ‚èŠ ð´õFL¼‰¶ Cô ðK²ˆFè¬÷Š ð‡í «õ‡®J¼‚Aø¶. ¹‹ú§õù‹, nñ‰î‹ ºîLòù Þˆî£¡. Hø‰î Hø°‹ ÞŠð®«ò. Üõóõ¼‹ ¬ó†, ¬ó† (àK¬ñ, àK¬ñ) â¡Á ðø‚è£ñ™, ï™ô Fò£è ¹ˆF«ò£´, Üì‚舫 «ô£è «þñˆ¶‚è£ù è£Kòƒèª÷™ô£‹ õ¬èò£è õ°ˆ¶ˆ îóŠðì «õ‡´‹ â¡ð¬î«ò èõQˆî£™, ê£vFóƒèœ Cô ü£Fò£¼‚«è£, vFgèÀ‚«è£ ðþð£î‹ ð‡í«õJ™¬ô â¡ð¶ ¹K»‹.

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